In line with the rich references of religious iconography in Hieronymus Bosch’s triptych, I endeavoured to not only create a visual comment on this Renaissance masterpiece, but to actually lend it a ‘voice’. Taking the architecture of the exhibition venue as a point of departure for a site-specific installation, the aim was to fill the space with a sonorous echo to resonate with the works on display. From the predominance of sight, the eye is substituted by the ear to follow the melody, thus all